101 SHEEP

Since three years, he makes videos in which images and textures mix: photographys, TV and computer screens, or even projections are absorbed by the video as an instrument that enlarges, trifurcates and deteriorates them. Often the original images are distorted in a frightening way that makes them seem unreal. A succession of stories that questions the notion of instant passages, all those mysterious moments of time gliding, through a poetic narration.